An
introduction to color management
(From Adobe CS Help)
Colors in an image will sometime look different when viewed on different
monitors. They may also look very different when printed on your desktop
printer or printed in a publication. If you need to produce consistent
color across different devices, managing color should be an essential
part of your workflow.
Why colors change
We use
color models to describe the colors we see and work with. Each
color model, such as RGB, CMYK, or Lab, represents a different method
for describing and classifying color. Color models use numeric values to
represent the visible spectrum of color. A color
space is a variant of a color model
and has a specific gamut (range) of
colors. For example, within the RGB color model are a number of color
spaces: Adobe RGB, sRGB, and Apple RGB. While each of these color spaces
defines color using the same three axes (R, G, and B), their gamuts are
different.
All devices
operate within their own color space, the range of color they're capable
of reproducing. No device can reproduce the full range of colors
viewable to the human eye, and no two devices have the same color space.
When you work with
image colors in Adobe Photoshop, you are actually adjusting numerical
values in the file. It's easy to think of a number as a color, but these
numerical values are not absolute colors in themselves--they only have a
color meaning within the color space of the device that is producing the
color.
Because each
device has its own color space, it can reproduce colors only in its
gamut. When an image moves from one device to another, image colors may
change because each device interprets the RGB or CMYK values according
to its own color space.
Every
device has a different color space.
It is impossible
for all the colors viewed on a monitor to be identically matched in a
print from a desktop printer. A printer operates in a CMYK color space,
and a monitor operates
in an RGB color
space. Their gamuts are different. Some colors produced by inks cannot
be displayed on a monitor, and some colors that can be displayed on a
monitor cannot be reproduced using inks on paper.
![The same RGB values interpreted differently by each device's color space](Color-Intro%20to%20Color%20Management_files/image002.gif)
The same RGB
values interpreted differently by each device's color space
Even though it is
impossible to perfectly match all colors on different devices, you can
use color management to ensure that most colors are the same or similar
enough so they appear consistent.
Solving color
inconsistency with color management
Color management
lets you produce consistent colors with a system that reconciles
differences between the color spaces of each device.
For the color
management system to successfully convert color values between the
different color spaces so colors remain the same or very similar, three
things must happen:
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The
color management system must know the color space of the image so it can
decipher the meaning of the color values in the image. When assigning a
profile to an image, the image will be in
the color space described by the particular profile. A document's
profile can be assigned by a source device, like a digital camera or a
scanner, or assigned in Photoshop.
§
Then, the color management system uses a color reference to identify the
absolute colors represented by the color
values in the image. Currently, color management systems use either CIE
L*a*b* (Lab) or CIE XYZ for color reference. Both color spaces describe
all the colors that a person can see; the color values referred to in
this space are not limited to or tied to the colors produced by any
device.
§
And
finally, the color management system must know the color space of the
destination device so it can send properly translated RGB or CMYK color
values to the device. The color management system uses profiles to
understand what RGB and CMYK values mean to each device. Device profiles
can be supplied by the manufacturer or created using third-party
software and hardware.
Color management
A. Source devices create documents containing
raw color values. B. Source profiles describe
the devices' color spaces and document profiles describe the documents'
color spaces. C. Taking the raw color values
with the profile data, the color management system identifies the actual
colors in the document using a color reference (Lab).
D. Device profiles describe the color spaces of each device.
E. The color management system converts the
raw color values to the color space of each device.
Basic
steps for producing consistent color
A color management
system is built into Photoshop. To use Photoshop's color management
system successfully, you will need to follow some basic steps.
To start managing
the color in your workflow:
1.
Calibrate your monitor. Use a visual calibration method, like Adobe
Gamma (Windows) or Monitor Calibrator (Mac OS), or use third-party
software and hardware for more accurate calibration.
2.
Specify the color settings when you first launch Photoshop. The color
settings in the Photoshop Color Settings dialog box control how the
color management system works with RGB, CMYK, and grayscale images.
When first
launching Photoshop, an alert will tell you that the color settings will
be configured using default settings (Web Graphics Defaults) and ask if
you wish to customize the color settings. Do one of the following:
§
Click No to accept the default settings.
Keep in mind that the default settings might be appropriate for keeping
colors consistent when images are viewed on a computer monitor, but may
not be optimum for printing images.
§
Note:
Although you don't have to customize the color settings when first
launching Photoshop, it's recommended that you do. The choices you make
in the Color Settings dialog box influence how the colors in images are
displayed.
§
For
better control of the Photoshop color management system, click
Yes to customize the color settings in
Photoshop when first launching the program. This opens the Color
Settings dialog box. In the Color Settings dialog box, choose a preset
option from the Settings menu. If your image is to be printed on a
desktop printer or a printing press, choose one of the prepress defaults
that's relevant to your geographic location. For example, if you're in
the United States, you would choose U.S. Prepress Defaults.
§
For
the maximum control of the Photoshop color management system, click
Yes to customize the color settings in
Photoshop when first launching the program. This opens the Color
Settings dialog box. In the Color Settings dialog box, select the
Advanced Mode option and specify the individual settings.
§
Note:
The Color Settings dialog box is not just accessible the first time you
launch Photoshop. You can access the Color Settings dialog box at any
time by choosing (Windows) Edit > Color Settings or (Mac OS) Photoshop >
Color Settings.
§
It
is important to use the same color settings in other color-managed
applications such as Adobe Illustrator, Adobe InDesign, and Adobe
Acrobat® in order to make your color
consistent between the applications. Keep in mind that colors will
probably not match between color-managed applications and
non-color-managed applications. For more information about synchronizing
color settings between color-managed Adobe applications, see
Keeping color consistent between Photoshop and other Adobe applications.
3.
Create or acquire profiles of devices in your workflow, such as your
desktop printer. The Photoshop color management system needs to know the
behavior of the devices in your workflow in order to properly convert
the color values in a document so the devices produce consistent color.
Common ways to obtain a profile include:
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Installing the driver for your desktop printer. When you install the
printer driver, a profile is usually installed in your computer system.
The color management system can access this profile so it will appear as
a color management option when you print from Photoshop.
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Creating a profile using a third-party measuring instrument and
software. This method can create a more accurate descriptions of the
behavior of specific devices.
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Note:
You should
also make separate profiles for every type of paper used with your
desktop printer. A glossy paper is capable of displaying a different
range of colors than a matte paper. Use a third-party measuring
instrument and software to generate custom paper profiles.
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Incorporate color management into your various workflows. Having a
calibrated monitor and profiles is useless unless you know how to
utilize them:
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For
keeping colors consistent when printing to an inkjet printer, dye
sublimation printer, laser printer or any desktop printer, see
Producing consistent color with a desktop printer.
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For
keeping colors consistent when placed in a layout application like
InDesign and sent out to be printed on a printing press, see
Producing consistent color when sending images to press.
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For
keeping colors consistent when creating images for viewing on the Web or
multimedia presentations, see
Producing consistent color when creating images for the Web.
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