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The basics of
paper buying
Here's an example of a paper order: Quantity and unit of measure 16 ctns Size and M weight 23 × 35-119M Basis weight BS-70 Color White Description Mountie Opaque Finish Vellum Grain Long
Let's examine these components more closely. QUANTITY AND UNIT OF MEASURE This is the number of sheets, number of cartons or skids, and in the case of mill-making orders, the total weight. SIZE AND M WEIGHT Because paper has many different uses, each grade is cut into different standard sizes. Among these standard sizes, however, there is one size in each grade of paper that is used to establish the weight of a sheet. This is called the basic size. The basic size differs from grade to grade. Bond, envelope, ledger and thin papers, for example, have a basic size of 17 × 22 inches; cover papers have a basic size of 20 × 26 inches. Book, offset and text papers have a basic size of 25 × 38 inches. Paper prices are given per thousand sheets, hence the “M.” The M weight is the weight of 1,000 sheets cut to the basic size. To determine the M weight, you must know the ream weight. There are 500 sheets of a particular sheet weight in a ream. The M weight is simply double the ream weight. If a ream of 25 × 38-inch paper weighs 40 lbs., then the M weight is 80 lbs. BASIS WEIGHT Almost all printing papers are manufactured and identified by their basis weight, which, as previously stated, depends on basic size. It is determined by one ream (500 sheets) of a given paper cut to its basic size. Strictly speaking, substance weight is the basis weight of bond paper (500 sheets of 17 × 22 inches), but the terms “basis weight” and “substance weight” are often used interchangeably. Note that a ream of some tissue and wrapping grades is considered to be 480 sheets. COLOR: HUE, BRIGHTNESS AND SATURATION According to Grassman's First Law, the eye can distinguish only three kinds of color difference: hue, brightness and saturation. Hue is the visual sensation that distinguishes one color from another. Brightness refers to how color is perceived in a position on a dark-to-light scale, or dark-to-light tones (also called luminosity or tone value). The degree of brightness that can be captured in paper is proportionate to whiteness and directness of reflection. Saturation is how the eye perceives, in addition to hue, the presence or absence of gray (also referred to as purity or intensity). Paper comes in a variety of colors and shades of “white” (ranging from blue, to cream, to pink). Many of these affect halftone reproduction and the aesthetic appearance of the finished piece. DESCRIPTION Under “description,” paper buyers should provide the complete brand name and grade — if the paper is unbranded, give the best general description. The paper selected must be suitable for the printing process and ink used, as well as adaptable to the physical requirements of the job. Special consideration should be given to factors such as strength, durability, foldability, permanence and opacity. FINISH Finish is the most important physical property of paper. It refers to surface contour and characteristics measurable by smoothness, gloss, absorbency and print quality. The surface character of paper ranges from fancy to strictly functional. The finish of a text or cover paper is typically selected by a designer to express an aesthetic view, but the paper surface should be considered in terms of the printing process, as well as the desired appearance and feel of the finished piece. High-fidelity halftone illustrations require a glossy enamel finish, making the finish chosen a top priority. If high-bulk paper weight is necessary, a low-finish, antique paper will suffice. Finishes are created during the papermaking process and may be described from roughest to smoothest. Papers with a smooth antique finish are described as having an eggshell finish. Vellum finish has a unique surface that is easy to handle after printing. It has a greater degree of ink absorbency, and thus, less tendency to smear. Further smoothing of the paper results in a machine or English finish — the latter is the highest possible finish that can be produced on a paper machine. WOVE, LAID AND COATED PAPERS Paper machines can produce other finishes, too. A felt-finish paper has a textured surface created by a marking felt, or by the use of rolls with an embossed surface at the press section of the paper machine. In each case, a design is impressed into the paper web while it continues to carry a high percentage of water. Felt finishes are applied to text, cover and superior-quality wedding papers. Other examples of finishes produced on paper machines include wove, laid and coated papers. Wove is characterized by the impressions of a felt dandy roll covered in a woven wire, with no laid lines. A laid finish is imparted by a dandy roll with wires parallel to its axis that impress the paper to produce a permanent watermark. Coated paper has been treated, either on or off the paper machine, with pigments mixed with water and adhesives to form a substance similar to latex house paint. This coating produces a smooth surface and gives the paper added flexibility. Examples of coated paper are gloss, which also describes the physical property of coated paper that makes it reflect light; dull, a paper with a smooth surface and low gloss; and matte, which has little or no gloss. GRAIN: THE LONG AND SHORT OF IT The direction in which most fibers lay in a finished sheet of paper is referred to as grain. Fibers flow parallel to the direction in which the paper travels on the paper machine during manufacture. Grain can influence other characteristics of paper. A sheet of paper will contract more across the grain than it does parallel to the grain. A simple moisture test for determining the grain direction can be performed by moistening one side of the paper and observing the axis of the curl: It will be parallel to the direction of the grain. Paper will fold more easily and smoothly parallel to the grain. Heavier-weight paper, like cover and bristol, may fold without scoring when folded parallel to the grain; scoring will be necessary, however, when folding across the grain. A sheet of paper will generally offer greater resistance to being torn against its grain. There are two basic classifications of grain: grain long and grain short. Grain long indicates that the paper grain is parallel to the longest measurements of the sheet. The fibers are aligned parallel to the length of the sheet. By contrast, grain short indicates that the paper grain runs at right angles to the longest dimension of the sheet. Fiber alignment in paper with short grain parallels the sheet's shortest dimension. Paper directory Often referred to as the bible of the paper, printing and publishing industries, “The Paper Buyers' Encyclopedia” is a comprehensive directory of more than 6,000 paper grades and classifications. It contains contact information for more than 5,500 mills, merchants and converters. The 626-page directory costs $135 (an Internet edition is also $135, or users can purchase both for $175). To order, call Grade Finders, Inc. (Exton, PA) at (610) 524-7070 or e-mail info@gradefiners.com. This article is adapted from the 2002/03 “Paper Buyers' Encyclopedia” by permission of Grade Finders, Inc. (Exton, PA).
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Electronic Publishing Home Page Department of Communication, Seton Hall University |