A NONVERBAL
MINI-
ETHNOGRAPHY
[“people/nation”
+ “write” ]
<<Exploring a
(Co-/Cultural) group from the inside out>>
Current Project Goals/Rationale
Channels for focus (use any 3)
Possible locales/"cultures" for your study
Basic format for posted Abstracts new
List of Confirmed Projects ( who is doing what) (currently lists F'16 )
►Operational
DEFINITION:
Ethnography
is the descriptive,
qualitative study of a human “society”, based on
empirical data obtained primarily from
fieldwork. The ethnographer immerses himself/herself in the life of a
social group as a participant-observer in order to collect all the necessary
data. Ideally, the ethnographic method should allow the researcher to completely
understand another
cultural/co-cultural
group, and the behavior of the people who live in it. However, there are
various difficulties involved in gathering authentic data in this way, including
the general tendency of people to see and act from the perspective of their own
culture. {i.e.
It’s difficult to see beyond your own
enculturation.} By striving to
divest themselves of any self-centered/ethnocentric thinking, ethnographers are
able to gain deeper understanding of those formerly "alien" societies, and thus
can serve to bring the various cultures of the world into deeper understanding
and more harmonious relationships.
Adapted
from the
►varied DISCIPLINARY APPLICATIONS:
Anthropology [cultural & social] | Sociology | |
Communication Studies [interpersonal] | Linguistics | |
Musicology [a course at SHU!] | Performance studies | |
Semiotics |
etc.
|
|
→Two interesting examples: | Anna Deveare Smith = almost all of the above!] |
Gerry
Philipsen’s groundbreaking work ]
|
►GOALS/RATIONALE: No matter which specific locality/culture you select for this mini-project, you will explore several learning objectives. This activity uses EXPERIENTIAL learning as a way directly to investigate the interconnections between Communication and Culture (including co-cultural settings). It also gives an opportunity to reinforce the kinds of "PARTICIPANT-OBSERVER" skills generally needed to function in the world of communication-- both verbal and nonverbal. In addition, this is an interdisciplinary assignment . Any studies you have had in the social sciences such as sociology, anthropology, psychology, sociolinguistics and/or the arts such as music, visual art, performance studies, all will enrich your insights and will help you synthesize various aspects of your liberal arts college career.
PLANNING & CONDUCTING A
MINI NONVERBAL
ETHNOGRAPHY:
►STEP 1 -
consider
WHAT
IT IS YOU WANT TO KNOW
ABOUT THIS GROUP'S ( i.e. co-culture's) NV PRACTICES ?
{i.e.
what’s your
area-of-curiosity} [What
communication functions do these people accomplish?] [ How
do they do them?
(If applicable you can coordinate your observation sites with what you are doing for your "Thin Slice", or your Team research project)
►STEP 2-
consider IN ORDER TO KNOW ABOUT YOUR STEP 1
ITEM-FROM THE "NATIVE'S" POINT-OF-VIEW
(aka
emic)
o
Who would you need to talk to?
o
Who/What would you need to observe?
o
What context/situation would you need to experience & get to know better?
►STEP 3 - consider IF YOU ARE FULLY READY TO GO OUT INTO "THE FIELD" [refer to the Activity Details below ] [pay special attention to requirements about the modalities to use, option of partnering with a classmate, the posting of your results in abstract form via a Discussion forum and the (possible) micro-oral presentation in class]
►STEP 4 - conduct the MINI-ETHNOGRAPHY & THE REQUIRED FOLLOW-UPS [post your (team's) abstract / tentative: prepare brief talk]
THIS ACTIVITY’S
DETAILS:
A
semester is too brief a time span for completing a comprehensive or truly
authentic ethnography. Nevertheless, we can borrow a few of the techniques
to attempt a deeper understanding of the patterns of life and communication in a
particular culture & culture’s role in shaping their interactional norms.
♦ So far you have experienced several activities focused on different aspects of nonverbal communication. However, there are many instances of overlap and you may find that something you discovered earlier can enlighten this current cultural exploration.
For example, consider the previous class activities such as our mini-field studies of environments , our nature-nurture debate , the 360 degrees of Kinesics-in-Action , the 3 way conversation experiments (<n.a. for F'16) , the Insight Diary-Thin Slice . All of these can help you frame your current observations into a more knowledgeable context.
♦ A small amount of class time may be allotted for conducting your ethnographies. A due date is listed below but may be adjusted--dependent on how smoothly classwork proceeds. Overall, you should approach both the written abstract, as well as the in-class talk, with a DID YOU KNOW WHAT IT'S LIKE TO LIVE IN ________?-themed mindset. Grading will be based on both the posted Forum abstract & ( if there's time) the in-class oral presentation. No hard copy materials need to be turned in. Both the posted abstract & the oral presentation must explicitly mention what was done for items 1,2,3 below.
TIMING SCHEMATIC: as of 11/5/16 = ( updated for F'16, compressed calendar) )
♦
YOUR FIELD STUDY MUST UTILIZE
ANY TWO(2)
OF THESE ETHNOGRAPHIC MODALITIES:
1-
an interview with an “informant”
2-
an immersion experience
3-
a structured observation
♦
SELECT FROM THE
FOLLOWING
ADDITIONAL OPTIONS:
◊
Elect to work
by yourself
/or/
with
ONE other classmate of your choice
/or/
with
TWO other chosen classmates
♦ ELECT TO FOCUS ON AT LEAST 3 OF THESE NONVERBAL CATEGORIES:
OLFACTICS /
CHRONEMICS / HAPTICS /
MUSIC-&-SOUND
/ SIGNAGE
/ SYMBOLS /
ATMOSPHERE[color/lighting/temperature]
♦
BOOSTING YOUR RESEARCHER PREPAREDNESS:
◊ Review anything you’ve studied about ethnographic research in other
courses
◊ Review anything we’ve already covered that pertains to environments
(e.g. Chap 4)
& culture
(e.g. E.T. Hall )
◊ Preview the upcoming chapters on nonverbal’s role in communicating
important messages
( e.g. Chap 12 & 13)
♦ some CULTURES/CO-CULTURES – a random list of possible choices for investigation. You don’t have to pick one of these but you can or you can use this list as a brainstorming catalyst.
NEAR: |
-the Department of Communication
|
FAR |
- |
|
-
The Center for Leadership Development
[Bus.Sch] |
|
- Vailsburg Newark |
|
- |
|
- retail spaces at Short Hills Mall |
|
- WSOU |
|
- misc workplaces |
|
- The Department of Music |
|
-"Third Places" ( Starbucks, Panera, DD) |
|
- Freshmen Studies |
|
|
|
- Seton Hall Theatre |
|
|
|
-
|
|
|
|
- Immaculate Conception
Seminary |
|
|
- Library Rotunda | - C/C houses of worship | ||
|
|
|
|
-Events at the Asia Society, Slavic Club. Gospel Choir, WSOU | |||
etc |
About G.P.
additional reference: Hymes, Dell (1972). Models of the interaction of language and social life. In John J. Gumperz and D. Hymes (Eds.), Directions in sociolinguistics: The ethnography of communication ( pp. 35-71), New York: Holt, Rinehart & Winston.
additional reference:
Hymes, Dell (1974).Foundations in Sociolinguistics.
additional reference:
Philipsen, G.
(1975). Speaking “like a man” in Teamsterville: Culture patterns of role
enactment in an urban neighborhood. Quarterly Journal of Speech, 61, 13-22.
[This
was an analysis of the communication patterns which characterized a particular
co-culture: a working-class neighborhood on
“the statement
that talk is not anywhere valued equally in all social contexts suggests a
research strategy for discovering and describing cultural or subcultural
differences in the value of speaking. Speaking is one among other symbolic
resources which are allocated and distributed in social situations according to
distinctive culture patterns”
(Philipsen, 1975, p. 21).
additional reference:
Philipsen, G. (1992). Speaking Culturally: Explorations in Social Communication.
additional reference:
http://smileworking.blogspot.com/2010/09/speech-code-theory-ethnografy-of.html
Partner1 | Partner2/3 | co-culture to be researched | abstrctposted | |
1 |
Kristen B. | Mario P. & Matt C. | CULTURES OF ACADEMIC STUDY at SHU: Athletic Dept c/c Library environments | |
2 |
Shamah D. | Zyaire R. | METAL ROCK MUSIC CULTURE | |
3 |
Aubrey C. | Tammy G. | NATIONAL PAN-HELLENIC COUNCIL-derived Greek Life Organizations / c/c | |
4 |
Robert K. | Dale B. | MILITARY CULTURE ( ? returning vets?) | |
5 |
Taylor M. | Jordan D & Ahniyah R. | LANGUAGE & SEMIOTIC PRACTICES OF GREEK LIFE CULTURE | |
6 |
Ryan M. | Blaine S. | IRISH-AMERICAN CULTURE | |
7 |
Zach G. | Cassie P. | COLLEGIATE GOLF CULTURE - including AUTOETHNOGRAPHY INSIGHTS | |
8 |
David H. | Tiffany Y. | CULTURAL DYNAMICS OF BODY TYPES | |
9 |
||||
10 |
||||
11 |
||||
12 |
||||
13 |
Anthony M. | √ √ √ | ||
DIRECTIONS: Each
team is responsible for posting a one-two (1-2) paragraph research
"Abstract". In brief, an abstract is a concisely written summary
of the researcher's goal/hypothesis/relevance, the methods used for
conducting the study, and a quick indication of the general findings. It
should contain appropriate reference to terminology & underlying
concepts from the textbook and/or your notes. Since these are
collaborative abstracts, I expect the partners will create a
team-written paper & all members are knowledgeable about relevant
theories & major studies and responsible for all contents. NB: Because
this semester's in-class presentations will be extra brief, they are
worth up to 40 points & the written abstract is worth up to 60 points. |
More cultures/locales from the past:
local wine store ( where I work) my business place culture |
(w/ Stephen )WSOU |
Bus Dpt vs LibArts Dpt @ SHU |
21st Century Hip Hop culture |
SHU gym weight room |
Student Athlete Academic Center |
(w/ Anthony) WSOU |
Train riding culture: Bergen mainline ? |
U of Conn ( where my significant other goes to school) |
Parking culture comparison/contrast 2 local colleges |
Whole Foods ( Vauxhall) : c/c:Shoprite ( W.O) |
(w/ Matt Z) Dunkin Donuts c/c inhabiting 3 locales |
(w/ Chris) Dunkin Donuts c/c inhabiting 3 locales |
___________________